The Crooked Mirror l Louise Steinman’s Blog
Journeys within and beyond
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Greenwriting on the Skarpa
It’s dark when we arrive at Katy’s house in the Polish countryside, early fall, 2019. My friend and I, both road-weary, climb a flight of wooden stairs to retire. My friend installs herself in the bedroom of Katy’s daughter, Magda, now a young doctor in London. I bed down in the room that belongs to Katy’s son, Sammy, a classics major at the University of Warsaw. Everywhere there are stacks of book, fascinating books. Philosophy. History. Poetry. Books in Polish. Books in English. I want to look at all of them, but I’m so sleepy. Before I crash, I peek into Katy’s room/studio, noting piles of notebooks, vibrant watercolors. A chorus of frogs serenades me through the open window as I fall asleep.
Resister in Sanctuary: We Won't Go
But what sends my memory into overdrive is RESISTER IN SANCTUARY, in bold black letters across a legal size flyer. It’s a manifesto written by Gregory Nelson, then nineteen years old and briefly my high school sweetheart. Greg had openly refused to register a year earlier, as required by law, when he turned eighteen. In the fall of 1968, he asked the minister and congregation of Grace Episcopal Church in South Los Angeles to grant him sanctuary, a medieval tradition, for an act of conscience.
Anna the Almaziful: Remembering Anna Valentina Murch (1949-2014)
Anna loved light and shadows; harnessed them to great effect in her installations for museums and public spaces over the last decades. Her lighting design for Portland’s new Tillicum Bridge (with Doug) completed after her death, casts jewel-colored beams of light above into the night sky and below, onto the surface of the Willamette River.